A Bibliography On Psychedelics and Creativity
Original Title:
3743109
https://www.scribd.com/document/121280364/3743109-a-Bibliography-on-Psychedelics-and-Creativity
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m a p s • v o l u m e X n u m b e r 3 • c r e a t i v i t y 2 0 0 0
W
HILE researching what has been published in the area of psychedelic creativity and visionary art,
we quickly realized that we had opened a can of worms. There was much more to read and view than we
could possibly hope to absorb in a short time, or cover even in a cursory manner. The topic is vast, and the
more one looks, the deeper it becomes. As a starting point for those who desire to investigate further, we
have provided below just a few of the many resources that we came across while working on this issue.
PRINT
Baggott, M.J. 1996–97. “Psilocybin’s effects on cognition:
Recent research and its implications for enhancing
creativity,” MAPS Bulletin 7(1):10-11. (Commenting
on: Spitzer, M. et al. 1996. “Increased activation of
indirect semantic associations under psilocybin,” Biol
Psychiatry 39: 1055–1057.)
Hughes, J. & J. Hughes 1999. Altered States: Creativity
Under the Influence, Watson-Guptill Publications, Inc.
Izumi, K. 1970. “LSD and Architectural Design,” in
Psychedelics: The Uses and Implications of Hallucinogenic
Drugs, pp. 381–397 (Edited by B. Aaronson & H.
Osmond), Anchor Books.
Baker, J.R. 1994. “Consciousness Alteration as a Problem-
Solving Device: The Psychedelic Pathway,” Yearbook for
Ethnomedicine and the Study of Consciousness 3: 51–89.
Verlag für Wissenschaft und Bildung, 1995
(Edited by C. Rätsch & J.R. Baker). Janiger, O. & de Rios, M. 1989. “LSD and creativity,”
Journal of Psychoactive Drugs 21: 129–134.
Barron, F. 1965. “The Creative Process and the Psychedelic
Experience,” Explorations magazine, June—July. Krippner, S. 1970. “The Influence of 'Psychedelic' Experi-
ence on Contemporary Art and Music,” in Hallucino-
genic Drug Research: Impact of Science and Society,
pp. 84–114 (Edited by J.R. Gamage & E.L. Zerkin),
STASH Press.
DeRogatis, J. 1996. Kaleidoscope Eyes: Psychedelic Rock
From the '60s to the '90s, Citadel Press/Carol Publishing
Group.
Grinspoon, L, & J.B. Bakalar 1997. Psychedelic Drugs
Reconsidered, The Lindesmith Center. (Specifically
“Learning and Creativity,” pp. 261–267 in Chapter 7
“Psychedelic Drugs and the Human Mind.”) Originally
published in 1979 by Basic Books, Inc., a division of
Harper Colophon Books.
Harman, W.W. & J. Fadiman 1970. “Selective Enhance-
ment of Specific Capacities Through Psychedelic
Training,” in Psychedelics: The Uses and Implications
of Hallucinogenic Drugs, pp. 239–257 (Edited by B.
Aaronson & H. Osmond), Anchor Books.
Harman, W.W., R.H. McKim, R.E. Mogar, J. Fadiman &
M.J. Stolaroff. 1990. “Psychedelic Agents in Creative
Problem Solving: A Pilot Study,” in Altered States of
Consciousness third edition, pp. 532–550 (Edited by
C.T. Tart).
Hartmann, R.P., 1974. Malerei aus Bereichen des
Unbewussten: Künstler experimentieren unter LSD, Köln:
M. DuMont Schauberg.
Hayter, A. 1968. Opium and the Romantic Imagination,
University of California Press.
Hickey, D. 1994 (January/February). “Freaks Again:
On Psychedelic Art and Culture,” Art issues 31: 25–29.
Joynson, V. 1984. The Acid Trip: A Complete Guide
to Psychedelic Music, Babylon Books.
Krippner, S. 1985. “Psychedelic Drugs and Creativity,”
Journal of Psychoactive Drugs, 17(4): 235–245.
Krippner, S. 1990. “Psychedelics, Hypnosis, and Creativ-
ity,” in Altered States of Consciousness third edition,
pp. 324–349 (Edited by C.T. Tart).
Luna, L.E. 1991. “Plant spirits in ayahuasca visions by
Peruvian painter, Pablo Amaringo. An iconographic
analysis,” Integration: Zeitschrift für Geistbewegende
Pflanzen und Kultur 1: 18–29.
Luna, L.E. & P. Amaringo 1991. Ayahuasca Visions:
The Religious Iconography of a Peruvian Shaman,
North Atlantic Books.
Masters, R.E.L. & J. Houston 1968. Psychedelic Art,
Grove Press, Inc.
Poliester: Drugs/Drogas, Fall 1997, Vol. 6, No. 20,
(Edited by Kurt Hollander)
poliester@intranet.com.mx.
Smith, E. 1982. “Psychedelics and Creativity,”
The Psychozoic Press, No. 4, 1983: 10–26.
Smith, E. 1983. “A Short Interview with Dr. Stanley
Krippner,” The Psychozoic Press, No. 6: 46–54,
(Edited by E. Smith).m a p s • v o l u m e X n u m b e r 3 • c r e a t i v i t y 2 0 0 0
Stafford, P.G. & B.H. Golighty 1967. LSD—The Problem-
Solving Psychedelic, Award Books.
Vogt, D.D. & M. Montagne 1982. “Drug Taking and the
Fine Arts,” The Psychozoic Press, No. 4, 1983: 6–9,
(Edited by E. Smith).
Volk, G. 1999. “Transportive Visions,” Art in America,
July, pp. 78–81, (Review of the art of Fred Tomaselli).
VIDEO
The Art of Tripping, a 1993 documentary on the influence
of drugs on writers and artists, produced by the Jon
Blair Film Company for the British Channel Four.
WEB
Albert Hofmann Foundation
http://www.hofmann.org
Their online museum has examples of the influence
of psychedelics on art. Their “Science” section has
the full text of several papers related to creativity
and psychedelics.
Art Visionary Magazine
http://members.tripod.com/artvisionary
A relatively new Australian print magazine that
features work by visionary, fantastic, and surreal
artists.
The Electric Art Gallery
http://www.egallery.com/homepage.html
Their “Amazon Project” features work from the
ayahuasca-inspired artist Pablo Cesar Amaringo,
as well as other artists from his Usko-Ayar School.
Electrum Magicum
http://www.levity.com/dimitri/index.htm
The psychedelic art of Dimitri Novus.
Ernst Fuchs
http://www.arsfantastica.at
Fuchs is considered by many artists to be the “father”
of visionary/psychedelic art.
Fantastic Art
http://members.tripod.com/~fantasticart/index.html
An amazing collection of visionary art. While clearly
not all, nor perhaps even most, of these artists used
psychedelics, there are numerous contributions by
artists who have either publicly or privately acknowl-
edged the positive effect that drugs have had on their
work.
Huichol artifacts on pages 20 and 43 from the collection of Tom Mayers.
Galleria Sublimatio
http://www.sublimatrix.com
The visionary art of A. Andrew Gonzalez. Aside from
an impressive collection of his own images, Gonzalez
has a very useful links page.
H. R. Giger
http://www.giger.com
The dark, compelling visions of H.R. Giger, perhaps
most well-known for his work on the movie Alien.
The HAVE YOU SEEN GOD Mandala Collection
http://www.haveyouseengod.com/GALLERY.htm
Contains paintings by fantastic visionary artists
including Bill Martin, Mati Klarwein, Alex Grey,
Cliff McReynolds, Tim Slowinski, Nick Hyde,
Phil Jacobson, and many more.
Martina Hoffmann
http://www.martinahoffman.com
The beautiful visionary art of Martina Hoffmann.
MKZDK 2000
http://www.mkzdk.org
Various subtle, psychedelic visions. Think
M.C. Escher dabbling with fractals and drugs.
Sacred Light Studio
http://sacredlight.to
The visionary art of Mark Henson.
The Stairwell Gallery Studio
http://www.art.freewire.co.uk/stairwell
Resident artist Cindy Mills.
Starroot Homepage
http://arts.bev.net/NRAC/visart/starroot/
thumbnails.html
Images of Starroot’s original artwork.
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